Abstract
In the 21st century with the popularization of digital technology, as a printmaking born out of industrial printing, it has undergone a revolutionary evolution. Silkscreen printmaking is a type of print with high technology content, strong dependence on media, and no traditional load. Thirty years ago, as soon as silkscreen prints settled in China, they began artistic exploration and experimentation with a brand-new attitude. Several generations of screen print workers have achieved it, expanded it, and made it independent in the fusion of modern language methods and oriental cultural spirit, and in the exploration of screen vocabulary, characteristics and character, it has an independent status and ranks among the international elite qualifications. This paper analyzes the root problems of high-tech printmaking tools, materials, technical principles, and causes of aesthetics. Starting from the background of the concept of green development, it expounds its related concepts, analyzes the theoretical origin of green development, and clearly recognizes the high-tech. The limitation of printmaking in the development space-that is, the expression language of digital plate making, is relatively correct in theory, so as to carry out step-by-step exploration and practice.