Abstract
The sudden depart of a large portion of the Moroccan Jewish population between 1948 and 1967 left a void in Moroccan society, to the extent that some scholars account for the existence of a "double trauma" - a trauma for both those who left for Israel and the Moroccan society at large. This profound social wound has never healed. The Moroccan Jewish intellectual Edmond Amran El Maleh (1917-2010) is the hero of the novella Aḥǧiyat Idmūn 'Amrān al-Māliḥ (The riddle of Edmond Amran El Maleh) by Mohammed Said Hjiouij ( 2020), which this article analyses. In this novella, Hjiouij stages the double trauma of Jewish and Muslim Moroccans by giving voice to the liminal character of El Maleh, a harsh critic of Zionism and French colonial ideology. A metaphor for the marginal writer and a symbol of collective trauma, the figure of El Maleh is re-employed and loaded with new functions and meanings in a contemporary work of fiction with a post-modern aesthetics.