Abstract
This article considers the history of medical image-making to shed light on an aspect of the COVID-19 pandemic. Starting from a contemporary art commission in the Science Museum's 'Medicine: The Wellcome Galleries', we look at the role of image production and presentation in understanding the spread of disease. From the intertwined histories of art and scientific image-making, we explore five examples of iconic medical images, by John Snow, Florence Nightingale, Arthur Schuster, Donald Caspar and Aaron Klug, ending with a model of the coronavirus by the Cambridge University Laboratory of Molecular Biology. We trace how images have provided the means for discovery, for description and for diagnosis and outline the different ways in which diseases have been located in the history of the medical image: in the community, in the body, in the cell and on the image itself.