Abstract
A multimodal Ganzfeld (MMGF) consists of homogeneous stimulation in both the visual and auditory modalities. Exposure to this unique perceptual environment can elicit the awareness of hallucinatory percepts. The nature of these hallucinatory percepts, and specifically the frequency of visual, auditory and multisensorial hallucinations, remains unclear. In this study, an MMGF refers to the stimulation paradigm itself. The perceptual experiences elicited, however, can be unimodal (occurring in one modality), multisensory (simultaneous but thematically unrelated across modalities), or multimodal (thematically integrated across modalities), allowing us to assess multisensory integration in the MMGF. Employing a multimethod approach in which we combine quantitative and qualitative measures, we conducted three experiments, using a between-subjects design with three noise conditions, that is, no-noise, white-noise, and brown-noise. Experiments 1 and 2 were conducted in a laboratory Ganzfeld (GF) space, Experiment 3 was conducted in a GF art installation in a museum context. We conducted half-open interviews, analyzed using inductive content analysis, to grasp the subjective experience and assess congruency of visual and auditory hallucinations. We found that visual hallucinations were frequently reported, but auditory hallucinations were less common. The most consistently reported auditory hallucinations, and importantly, multisensory integrated hallucinations, were water-related, suggesting a potential influence of noise, particularly brown noise, possibly due to its resemblance to water sounds. Our findings also indicate a predominantly unimodal focus on the visual aspect among participants, alongside instances of attention switching between modalities.