Abstract
From the beginning of recorded history, human beings have encountered epidemics. They have also memorialized these events, which can be deeply traumatic and scarring, in visual art and literature. In this article, we look at a selection of artistic depictions of past epidemics in Western culture in light of what they can teach us about COVID-19 today. Our analysis reveals that while responses to epidemics are culturally bound to specific times and places, they also share common features. What surfaces again and again are pandemic patterns: persistent themes, such as divine revelation, "othering," freedom, and exile, girded by a four-part dramaturgical structure as originally articulated by medical historian Charles Rosenberg. We argue that our response to COVID-19 is neither uniformly progressive nor linear, but rather circular or overlapping in time and space. COVID-19 may feel new to us, but in important ways, it is quite old. It has awoken an ancient and durable human script, laid out and reenacted over thousands of years. Understanding these pandemic patterns may help clinicians and health policy makers alike better craft a response to COVID-19 today and to the future epidemics that undoubtedly will come.