Abstract
In contrast to what films such as Titanic would have people believe, scientific knowledge about ocean liners is fairly limited. These boats and their material culture, however, functioned as symbols of modernity par excellence and thus allow a better understanding of the advent of a new world at the turn of the 20th century. The focus of this article is a ceramic assemblage from the Red Star Line, the shipping company that transported some two million migrants from Antwerp (Belgium) to the United States between 1873 and 1934. The analysis of this material provides new insights into the furnishings and daily life aboard these ships. Moreover, the possible reuse of these maritime objects ashore forms a basis for a discussion of the ways in which ordinary people entered into the modern world using material culture and to what extent they might have embraced the values associated with these mass-produced goods.